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6 FRIENDS (NBC) Overexposure has led to a widespread underrating of this still-excellently written, hilariously performed show.
True, Lisa Kudrow’s Phoebe seems stuck in a dumb-chick rut, and David Schwimmer’s Ross is becoming dismayingly sappy.
You probably don’t remember, but Profit was a wittily bleak show about corporate shark and high-functioning sociopath Jim Profit (the magnificently oily Adrian Pasdar), who’d been raised in a cardboard box and parented by an always-turned-on TV set.
The season opener, in which Homer and family left Springfield to work and live in a happy-faced, fascist corporate community was such a dead-on critique of the Disney empire, I swear I heard Rupert Murdoch chuckling.1 NYPD BLUE [PROGRAM of the YEAR] (ABC) TV’s most varied, humane, and exciting drama took more chances this year than a hit show needs to, and became a deeper, richer series for the effort.Earlier this year, cocreator Steven Bochco told EW: ”This is now [cocreator-producer] David Milch’s show; if I disappeared tomorrow, the quality of that show would not suffer for a second.” And a key to Milch’s production work this season is his knowledge that once you’ve set up a character people care about, that creation can do questionable, even bad things, and the viewers won’t merely accept the behavior but feel that badness in their bones.So far, the David-less new season has been uneven but agreeably wacky.High point thus far: Michael Richards’ Kramer accidentally entering the corporate world and having his entire business career rise and fall in the space of 30 minutes.